Okay guys, I know it has been a while since my last post. Sorry, Sorry, My Bad. I have been busy with work and schoolwork, I haven't really had the time. To make it up, I am giving you guys a treat.
I am choosing three of my favorite heavy, jazzy bands, that you probably have never heard of. A lot of the reason that I never got into jazz before was because it lacked the visceral energy that I crave. These bands are technical, harmonically rich, AND HEAVY!
1. Exivious
Exivious is a self-proclaimed fusion-metal band. It consists of members of Cynic and Textures. They combine heavy riffs, jazzy solos and are very progressive. The Music of Exivious is filled with many dynamic and meter and tempo shift, not to mention constantly modulating.
2. Triphasic
Triphasic is a trio, featuring Gary Willis (Jazz and Fusion virtuoso) on bass, Llbert Fortuny on Saxophone and David Gomez on drums. They are based in Spain. Like Exivous, they are a one time project, but killer nontheless. If you like very weird and dissonant music, like hemophiliac, these guys bring it.
2.Gordian Knot
Gordian Knot is not too jazzy, but awesome still. It too features members of cynic, with Sean Malone as the driving creative force. John Myung of Dream theater guests, as does Ron Jarzonbek and Jim Matheos. They recorded some of the best instrumental prog ever.
I hope you all enjoy this selection of some of my favorite music.
Monday, February 28, 2011
Thursday, February 24, 2011
Ron Jarzombek Update
After the release of 2007's Blotted Science, a mix of the 12 tone cycle and pure brutality, Ron Jarzombek has not done much. He play briefly on Obscura's Cosmogenesis album in 2009 and just gives lessons around his hometown, San Antonio TX.
He is one of my favorite guitarists. His music is some of the most technical, absurd, and just generally awesome around. If you haven't heard of spastic ink, you need to check out Ink Compatible. Watchtower, his second band, was heavily influential of modern metal. Bands, Metallica to Dream Theater to Atheist, took note of the awesome technical and heavy style that Jarzombek created. He even played 2nd guitar for Marty Friedman in 2007. It is a shame that he is not more popular, given his influence.
His upcoming projects are a new Blotted Science EP, and the long awaited 3 part instructional DVD series.
Blotted Science, as I have previously mentioned, is an instrumental metal 3 piece band. The other players, Alex Webster (Cannibal Corpse) and Hannes Grossman (Necrophagist/Obsura). Charlie Zeleny (Behold... The Arctopus), recorded the drums for the self titled. They write in using the 12 tone method, which I think brings a new level of dissonant brutality. I can't wait for another solid release.
Ron Jarzombek is guitar teacher, by profession, so it is obvious that he would release a instructional DVD.
What sold me was that it was in 3 parts, one DVD dealing with rhythm, one for harmony, and one of the 12 tone cycle. I really would like to watch him explain harmony and rhythm from his unique context. I am no too interested in the 12 tone one, but might still pick it up.
Hopefully, in time, he could get with guys like Gordian Knot and release another solid fusion/metal recording or something like that. You can only hope...
In the mean time, enjoy the upcoming Blotted Science EP, The Animation of Entomology.
http://www.ronjarzombek.com/rjnews.html
Wednesday, February 23, 2011
MIDI control without a keyboard interface
A lot of users really liked the green guitar that I posted on my last update. The thing is, that wasn't really a guitar, it was a Synthaxe, a guitar midi controller. That is how come he could get all of those outrageous synth sounds from the "guitar".
I decided to inform all of you on how to achieve the same idea, using a guitar to control virtually any instrument via MIDI.
Synthaxe
The Synthaxe is an instrument designed in the 80's by Bill Aitken. It has superior tracking and versatility, as it divided the fretboard sensors into 6 individual sectors The instrument is equipped with two pads for your left hand, one that is similar to a keyboard (for sustaining chords etc) and one that is similar to a guitar that may be plucked. This instrument is also equipped with a breath controller for superior dynamic control and shaping. The only drawback of this guitar is it's availability and price. Because they are not manufactured anymore, they are extremely hard to find. If you somehow find one, they will cost upwards of 5,000 dollars. The probably worst issue is that nobody left is qualified to repair them, so they will eventually break down.
Roland MIDI Pickups
My guitar teacher had one of these, they have 6 slots on the pickup; One for each string. You can get a bunch of really good sounds out of it. However I heard that because it is "translating" audio waves into midi signal, that the lower the pitch of sound, the slower it responds. So, on the high strings, it's sounds flawless; But on low e there is a couple of milliseconds of lag. These connect initially to a Roland GR-20 or GR-55, so you can't just get the pickup and connect directly to midi. But after, the Roland box, you can direct it to you DAW and use just about any VST you can think of. These are available everywhere, but remember that you still have to buy the Roland Box for it to work. These cost around 800 dollars bundled together. Parker makes the Parker Fly MIDI, that comes with the pickup pre-installed. As does Carvin guitars, on practically any model.
Sonuus G2M
Sonnus G2M or boxes similar, directly turn audio input from your guitar into MIDI signal. These can be plugged directly into your DAW to control any vst. These are about 100 dollars everywhere. They are slow and purely monophonic, I guess they would be used for melodic playing.
Akai EWI
The EWI is a breath controller that that mimic wind instruments like the Saxophone, Clarinet and Trumpet in playability. You again connect via usb to your DAW to utilize any sound you have on a VST. They are fast and expressive. If I was better at wind instruments I would definitely get one of these. They cost either 300 dollars for the bare bones model, or 700 dollars for the superior version that you can connect directly to your mixer.
I decided to inform all of you on how to achieve the same idea, using a guitar to control virtually any instrument via MIDI.
Synthaxe
The Synthaxe is an instrument designed in the 80's by Bill Aitken. It has superior tracking and versatility, as it divided the fretboard sensors into 6 individual sectors The instrument is equipped with two pads for your left hand, one that is similar to a keyboard (for sustaining chords etc) and one that is similar to a guitar that may be plucked. This instrument is also equipped with a breath controller for superior dynamic control and shaping. The only drawback of this guitar is it's availability and price. Because they are not manufactured anymore, they are extremely hard to find. If you somehow find one, they will cost upwards of 5,000 dollars. The probably worst issue is that nobody left is qualified to repair them, so they will eventually break down.
Roland MIDI Pickups
My guitar teacher had one of these, they have 6 slots on the pickup; One for each string. You can get a bunch of really good sounds out of it. However I heard that because it is "translating" audio waves into midi signal, that the lower the pitch of sound, the slower it responds. So, on the high strings, it's sounds flawless; But on low e there is a couple of milliseconds of lag. These connect initially to a Roland GR-20 or GR-55, so you can't just get the pickup and connect directly to midi. But after, the Roland box, you can direct it to you DAW and use just about any VST you can think of. These are available everywhere, but remember that you still have to buy the Roland Box for it to work. These cost around 800 dollars bundled together. Parker makes the Parker Fly MIDI, that comes with the pickup pre-installed. As does Carvin guitars, on practically any model.
Sonuus G2M
Sonnus G2M or boxes similar, directly turn audio input from your guitar into MIDI signal. These can be plugged directly into your DAW to control any vst. These are about 100 dollars everywhere. They are slow and purely monophonic, I guess they would be used for melodic playing.
Akai EWI
The EWI is a breath controller that that mimic wind instruments like the Saxophone, Clarinet and Trumpet in playability. You again connect via usb to your DAW to utilize any sound you have on a VST. They are fast and expressive. If I was better at wind instruments I would definitely get one of these. They cost either 300 dollars for the bare bones model, or 700 dollars for the superior version that you can connect directly to your mixer.
Monday, February 21, 2011
Allan Holdsworth Carvin Fatboy
Allan Holdsworth is fantastic guitarist with almost inhuman legato technique. His melody, soloing, chord voicing, well everything sounds like it has some alien origin. In the 70's and 80's he used Steinberger guitars exclusively. Although I am a fan of his sound, I really don't prefer the look and feel of headstock-less guitar.
Later, he began using Bill DeLap guitars. To me, the look is almost exactly the same.
Eventually he contacted Carvin Guitars to create the Carvin HF2 and the HF2 Fatboy models. To me, the style is miles ahead of the steinbergers. They come equipped with a MIDI pickup for piezo and synth sounds, and the HF2 is simply hollow and HF2 is completely hollow.
The benefits of hollow bodies are really nice, you get more warmth and sustain. Also, because of the guitar is hollow inside there is less feedback with distortion and gain. These guitars really versatile, and sound great. If they made a 7 string version, I would pick one up in a heartbeat.
http://www.carvinguitars.com/catalog/guitars/index.php?model=hf2
And they have a headstock.
Sunday, February 20, 2011
Future Dream Theater Drummer?
The departure of Mike Portnoy from Dream Theater shocked the progressive metal community, well some of us. Many people speculated that perhaps Portnoy would be reinstated, only to be proven wrong.
http://thesilvertongueonline.com/?p=20746
I personally think the claims that perhaps Joey Jordison, Terry Bozzio, Neal Peart, or other drummers with a successful musical career joining Dream Theater as a creative force is just silly. They are great drummers, but have their own style that fits what they play now. None of those guys really have any incentive to join.
Marco Minnemann of Necrophagist and Kreator was speculated by many to be the lucky drummer in the studio now with the band, but Blabbermouth reports that that is false.
http://www.roadrunnerrecords.com/blabbermouth.net/news.aspx?mode=Article&newsitemID=152336
So who do I think it is gonna be?
John Macaluso is an absolutely brilliant drummer that already has connections with James LaBrie. I think is style would work perfectly in the context of Dream Theater. He is also not currently working on anything right now, despite his already prolific career.
http://www.johnmacaluso.com/
John Macaluso and James Labrie performing together
The Man tearing it up!
So if it is his skins on the new record, you heard it here first.
Saturday, February 19, 2011
New Scale the Summit Album!
Scale the Summit are in the studio working and a new album, The Collective. Their last album, Carving Desert Canyons, is a wonder barrage of heavy guitar riffs, tasty shred licks, and clean tapped passages. You can immediately tell the Dream Theater influence; I also detect Don Caballero influence in their tapping segues.
Though sometimes corny and obviously really major/mixolydian sounding at times, these guys are really talented and I have not been disappointed. When dealing with instrumental music, there is a fine line to walk between being listen-able and interesting. I think Scale the Summit mixes a pretty good blend.
The new album ships march 1.
Two New Additions to Shure's SRH Line
Shure is expanding their SRH headphones line with two more sets, the SRH 550DJ and the SRH940. For anyone that hasn't used the SRH sets yet, you are missing out.
The 550DJ set is a lower end version of the 750DJ version, in black instead of aluminium-esque silver. On the other hand, the 940 is a slightly better version of the SRH 840. I really dig the metallic styling and felt ear cups of the 940.
Already owning the 840, 750DJ and 240 models, these don't seem different enough to warrant dropping 300 on a new set. I love the sound that the Shures provide though, you gotta love that mid contour on the 840, and the deep bass on the 750DJ.
If only I had waited, and I could have perhaps gotten the 940s. Though, I probably will still get some replacement felt ear pads to install on my 840s.
http://www.shure.com/europe/news-events/coming-soon/srh940-professional-reference-headphones
http://www.engadget.com/2011/01/13/shure-adds-se215-buds-cans-for-djs-and-studios-alike/
The 550DJ set is a lower end version of the 750DJ version, in black instead of aluminium-esque silver. On the other hand, the 940 is a slightly better version of the SRH 840. I really dig the metallic styling and felt ear cups of the 940.
Already owning the 840, 750DJ and 240 models, these don't seem different enough to warrant dropping 300 on a new set. I love the sound that the Shures provide though, you gotta love that mid contour on the 840, and the deep bass on the 750DJ.
If only I had waited, and I could have perhaps gotten the 940s. Though, I probably will still get some replacement felt ear pads to install on my 840s.
http://www.shure.com/europe/news-events/coming-soon/srh940-professional-reference-headphones
http://www.engadget.com/2011/01/13/shure-adds-se215-buds-cans-for-djs-and-studios-alike/
Friday, February 18, 2011
Introductory Post
Hello All,
I am proud to start The Eclectic Electric Zone, the place that (hopefully) will meet all of you needs in most genres of rock, progressive and metal music. I also hope to bring news and other content that will help inform and entertain, making this an alternative to other music news and guitar news blogs.
I hope to update daily with any news that interests me specifically, in areas of the guitar/rock/audiogear spectrum. Suggestions and critique are always accepted, I appreciate any feedback I can get.
Looking forward to (what is left of) a new year,
HillDog
I am proud to start The Eclectic Electric Zone, the place that (hopefully) will meet all of you needs in most genres of rock, progressive and metal music. I also hope to bring news and other content that will help inform and entertain, making this an alternative to other music news and guitar news blogs.
I hope to update daily with any news that interests me specifically, in areas of the guitar/rock/audiogear spectrum. Suggestions and critique are always accepted, I appreciate any feedback I can get.
Looking forward to (what is left of) a new year,
HillDog
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